Aug
06

Does cost equal tone?

By Todd

One night my wife and I wanted to try a new place and go hear some live music and we were told about this place that had some great blues bands. We walked in and these guys where burning the place down and the guitarist’s tone was just awesome. I remember looking on stage and seeing some gear, to be honest, I would never have even given two thoughts to purchasing because I thought it was “cheap” gear. I guess maybe I had an idea in my head that I had to pay more for good tone. Maybe that idea is a little truth in it but I think Ive come to learn its not as much as I thought. In the quest for tone there are so many avenues to go down and the journey definitely isn’t free. Gear can run the gamut in terms of cost from cheap to insanely expensive. When it comes to tone does cost equal tone? I posed this question on some of the guitar forums I hang out at to get some feedback and I here are some that stuck out to me:

  • “Sounds like you no matter what you play through.”
  • “Better built products sound and work better and cost more.”
  • “Cost equals quality but not tone.”
  • “There’s some truth in tone costs $$$…but I also believe there’s a point of diminishing returns.”
  • “If you are after a very specific tone, that can only really be had with a very specific piece of gear – then yes, it cost what it cost. But good tone can be had at any price point.”
  • “In general for guitars….no. Amps and PA/recording gear, yes to a point.”
  • “It’s all in the hands”
  • “To a certain extent the high dollar amps do sound better but that doesn’t mean you cant achieve great tone with less expensive stuff.”
  • “You can play anything and make it sound good, so no. The feel etc is a completely different subject and yes that is where it matters etc.”

There is a mind set called “perceived value” where people tend to think the more something costs the better it is. This can be true to varying degrees but the way I’ve come to look at this question in regards to “tone” is it’s more about the player than the gear.  A good player with a good ear and take some gear that isn’t that “great” and make it sound better.

For example me and a couple of close friends are Kings X fans. If you didn’t know, Ty Tabor used to be very secretive about what he used on their first four albums. My friends and I were absolutely obsessed with his tone and rightfully so because to this day it stands out to me to be one of the best I’ve heard. As the years past we came to learn that Ty was secretive partially due to the fact he was using Lab Series L5’s which were relatively cheap solid state amps. He was a bit embarrassed to let it be known he was using a such a “cheap amp.” After figuring out his secret, I found a L5 , aFender Elite, and set up my effects just like Ty’s and guess what? I didn’t sound like Ty. Was the tone similar? Yes to a degree but not exact. This was a lesson to me that good tone can be cheap but also that a good part of your hero’s tones is in the hands.

All that said, I still feel that better made gear typically means more in cost. So while I don’t think cost always equals tone, I do think cost does more often than not does equal quality but like someone posted in one of the quotes above “its in diminishing returns.”

So I guess after all this rambling, I think gear that is more expensive is better in quality but when it comes to how it affects tone……. not so much.

Please feel free to chime in with your thoughts by posting comments. I’d love to hear them.

Categories : Editorial

Comments

  1. Axeman says:

    I have to say that I own a Bugera 6262 212 amp and while the purists will swoon and the unwashed interweb trolls will holler it’s a crazily good unit with heaps of clean headroom, a great crunch and a sick metal vibe on the lead.

    I actually mostly use it for blues and old skool rock tones with my L6 M13.

    The tones I get out this combination are awesome and it makes many boutique amps I’ve played (and owned) in the past kringe with envy.

    Tone is of course noticably in the hands but if you don’t need to 110% emulate some rocker like a coked up parrot with a high dollar tone habit, why not emulate it to a ‘degree’ and in general make your own sounds?

    I am a happy camper and the cheapo Bugera gear will continue to find a place in my studio.

    I’d rather buy 4 different sounding kick arse amps than one uber expensive one just to get that one sound.

    It’s not as if we are all professional muso’s anyway.

  2. Todd says:

    You know I’ve heard clips of that amp that sound great! I need to check on out. I think you can get good tone for decent moeny these days but that said I have to thank the boutique guys out there putting out great gear to help make the mass produced companies really work to bring up the tone quality.
    BTW I have an M13 that I love too.

  3. Thought I’d chime in and say BB KING uses a Lab Series as well, lots of famous players play SS amps actually, Albert King, Pat Martino, Wes Montgomery etc…even Fusion players like Holdsworth (although he might be with Boogies now) and Mike Stern.

    Personally I think there is quality gear at all price points and I tend to look at built quality over brand name/price. I love my el cheapo Axl Badwater Strat, PRS SE Soapbar, Epi Casinos/295 etc..as much as my Gibsons/Fenders! GOodluck in your quest for ultimate tone, I play clean most of the time so its easy for me but I just can’t stop at having 1 guitar anyway :P

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